PROGRAM NOTE Hard Songs sets 23 short, pithy, hard-edged poems by Stephen Crane, the 19th-century writer most known for his Civil War novel The Red Badge of Courage. These poems are quite different in tone from his novels; odd and relentlessly bleak, written in free verse and mostly without stanzas, Crane referred to them as his 'lines'. After a Prologue, Hard Songs unfolds in eight continuous sections. Each has a short textless introductory movement and the individual poems are separated by musical 'bullet-points'; usually a single burst of sound surrounded by silence. Crane's poems keep returning to the same concerns; singing, birds, and mouths; deserts and barren landscapes; skies, visions of hell, and the apocalypse; lies, the earth, and the sea. Similarly the music of Hard Songs keeps digging back into a very compressed set of ideas that reappear relentlessly throughout the cimbalom part as broken chords, repeated patterns, or punctuating stabs. In this spirit, three of the poems themselves also return as reset fragments that close each of the last three sections of the work as it moves to an unresolved conclusion full of unsettled disquiet. o o o o o o o 1: THREE + ONE 1,i � three little birds Three little birds in a row Sat musing. A woman passed near that place. Then did the little birds nudge each other. They said, "She thinks she can sing." They threw back their heads to laugh. With quaint countenances They regarded her. They were very curious, Those three little birds in a row. � bullet 1.ii � because it is bitter In the desert I saw a creature, naked, bestial, who, squatting upon the ground, Held her heart in her hands, And ate of it. I said, "Is it good, friend?" "It is bitter � bitter," she answered; "But I like it Because it is bitter, And because it is my heart." � bullet 1.iii � dead in my mouth Yes, I have a thousand tongues, And nine and ninety-nine lie. Though I strive to use the one, It will make no melody at my will, But is dead in my mouth. � bullet and bridge 1.iv � the wind that waves the blossoms The wind that waves the blossoms sang, sang, sang from age to age. The flowers were made curious by this joy. "Oh, wind," they said, "why sing you at your labor, while we, pink beneficiaries, sing not, but idle, idle, idle from age to age?" 2: FOUR + ONE � ritornello 2.1 � when I gazed all was lost 2.ii � he is in a place of blackness God lay dead in heaven; Angels sang the hymn of the end; Purple winds went moaning, Their wings drip-dripping With blood That fell upon the earth. It, groaning thing, Turned black and sank. Then from the far caverns Of dead sins Came monsters, livid with desire. They fought, Wrangled over the world, A morsel. But of all sadness this was sad � A woman's arms tried to shield The head of a sleeping man From the jaws of the final beast. � bullet, bridge 2.v � clip-clapper There was a woman with tongue of wood Who essayed to sing, And in truth it was lamentable. But there was one who heard The clip-clapper of this tongue of wood And knew what the woman Wished to sing, And with that the singer was content. 3: ONE + ONE � ritornello 3.i � it is futile Blood � blood and torn grass � A canoe with flashing paddle, 4: ONE + ONE � transition 4.1 � poor soulThere was one I met upon the road Who looked at me with kind eyes. He said, "Show me of your wares." And this I did, Holding forth one. He said, "It is a sin." Then held I forth another; He said, "It is a sin." Then held I forth another; He said, "It is a sin." And so to the end; Always he said, "It is a sin." And, finally, I cried out, "But I have none other." Then did he look at me With kinder eyes. "Poor soul!" he said. � bullet, turn 4.ii � comrade I stood upon a high place, And saw, below, many devils Running, leaping, and carousing in sin. One looked up, grinning, And said, "Comrade! Sister!" ? 5: TWO + ONE � ritornello 5.1 � the strange part 6: ONE + ONE � ritornello 6.1 � it is no desert Blood � blood and torn grass � . . . The grey-green woods impassive . . . A canoe . . . ? 7: ONE + ONE � transition 7.1 � whisperingsThere came whisperings in the winds: "Good-bye! Good-bye!" Little voices called in the darkness: "Good-bye! Good-bye!" Then I stretched forth my arms. "No � no � " There came whisperings in the wind "Good-bye! Good-bye!" Little voices called in the darkness: "Good-bye! Good-bye!" � bullet, bridge 7.ii � birds of the night Little birds of the night Aye, they have much to tell Perching there in rows Blinking at me with their serious eyes Recounting of flowers they have seen and loved Of meadows and groves of the distance And pale sands at the foot of the sea And breezes that fly in the leaves. They are vast in experience These little birds that come in the night 8: TWO + ONE � transition 8.1 � red devils . . . Perching there in rows . . . These little birds that come in the night Stephen Crane (1871�1900)
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